The Director

14. So called rough animation created by artists – fazirovschikami. They have a job to competent distribution frames, which they gave to the work of animators, as well as smoothing the created animation. 15. The resulting images again with the help of digitization in the computer record and serve as a basis to create and calculate the real camera movement and editing. 16. The operators, in turn, look angles from the virtual camera in pseudo-(virtual space), define the direction of movement, draw and multiply the secondary characters, which do not require fine detail. So it is placing the characters in the a given scene, and other ideas are embodied filmmaker cartoon.

17. Next stage of the primary rough animation installed in accordance with predetermined movement of cameras and edited at the same time. 18. Roughly speaking this the first preparatory stage of the work is finished and there comes the most critical moment for the whole team of artists and animators. Their job is now based on the director, who looks at footage draft version. All thoughts and new ideas to refine or redesign it documented on paper and once again pays to work. Successful scenes are the work further – synchronized dialogue samples from lip movements of characters and their facial expressions. Same finalized all the animation characters created by Russian cartoon.

19. Of running and jumping contours drawn characters have made the same ones we see on the screen – that is, is bringing them to final form 20. So it is dorisovki intermediate movement between the key phases, ie given the smoothness and naturalness of movement on stage. 21. Now comes the more tedious work – it is necessary that the surroundings in frame was realistic and was an integral part of it. As the water flows, moving the leaves on the trees and bear fur is growing in the wind a scarf Masha or snowing – all these animations, which give a realistic cartoon. 22. Rough animation effects as being approved and can not be refined once the animators. 23. Computer graphics – this is a separate lot of talk. In modern cartoons, and Masha and the Bear in the among other things, is usually used to create realistic background scenery and backgrounds. Just use it to create special effects and animation of inanimate objects in the movie, including vehicles. Then. During composition is the reduction of hand-drawn animation and computer graphics. I think this can be summed up staging the first part of the story of how complex the process of creating cartoons in modern animation. You can read the continuation of the second paragraph, how to create cartoons.