Raymond Federman

Because the reality is no more, destroyed the PA thus the most important opposition to classical modernism – neomifologicheskuyu opposition between text and reality, making it unnecessary to search, and, as a rule, the painful search for the boundaries between them. Search now discontinued: Reality finally discovered, there is text only. Therefore, place in a parody of classical modernism became VP pastiche (from Italian. pasticco – opera, sostyulennaya from pieces of other operas, potpourri). Pastiche of parody is different from the fact that now there is nothing to mock, is not that great object, which could be subjected to ridicule. How to write 0. M. Freudenberg, can only mimic what is' alive and sacred.

" In an era of GP nothing alive and certainly not holy. For similar reasons, the place of the classical modernist intertext in the AP took hypertext, a much more flexible device that can be manipulated this way and that. In 1976, the American writer Raymond Federman has published a novel that can be read at the discretion of the reader (it is called – 'On your discretion ') from any place, shuffling and Loose unnumbered pages. This aleatoric literature soon became a computer, it can only be read on the display: you press the button – and transported to the prehistory of a hero you press the other – to change a bad end for good, or vice versa (see virtual reality, hypertext). Classic Modernist reminiscence, bearing the subtle character, which can be seen, as can be and go past has been replaced by a total of postmodern tsitatoykollazhem. In 1979, Jacques Rive published a novel, quote 'The young ladies of AA', which is a collection of 750 quotations from 408 authors. I remember an American student anecdote that language student first read Shakespeare's 'Hamlet' and was disappointed – nothing special, a collection of commonplaces winged words and phrases. In essence, the postmodern philology is nothing as sophisticated (as in greater when a lesser extent) the search for citations and intertext in a particular literary text – the best examples of this philology and art history books, see AK Zholkovsky and MB Yampolsky (listed in the bibliography).

AP researcher Ilya Ilyin writes: '… post-modern thought has come to the conclusion that everything is taken as reality, in fact nothing but a representation of it, depending also on the point of view, which selects observer and the change which leads to a fundamental change in the view itself. Thus, the perception of a person condemned to be declared 'multiperspektivizm': the ever-changing and kaleidoscopic series of angles Indeed, in his flashing does not make it possible to know its essence. " However, some argue that the PP is over and we live in a new cultural era, but what is its essence, we are unable to articulate. Well, We expect this formula looks.